In March, this feature was only available to non-profit partners. YouTube wrote about one particular instance of a non-profit partner who raised more than $10,000 in one day after including the hyperlink on their video and after YouTube featured it on their front page.

Now the Call to Action is available to all YouTube advertisers in the US. Unfortunately, we cannot access it yet in Australia.

If you are not publishing videos in social networks online, you are missing an opportunity to extend the impact of your brand online.

The situation with video is comparable to the beginning of the Web. Then, only the big brands were quick to embrace the new medium and have a representation on it – mostly a simple Website that re-enforced the existence of the company and its brands online and provided information for the online community. Web presence matured over time as the medium became mainstream, and it spread out to smaller organisations and brands.

Now, 15 years later, we are at the beginning of another era: video has become a medium online. For many, YouTube has become their default entry into the Web and they spend most of their time online on YouTube. For the majority, YouTube is the dominant search engine and the second largest search engine after Google overall.

What do people find when they search for your brand on YouTube? Go and try it out – you may be surprised what your community is posting about you! Would a YouTube user find your message amongst all the other chitter-chatter? What impact will that have on your brand?

Some of the larger brands understand. There are some very good YouTube brand channels online. For example, check out the Nike Football channel. With 8,326 subscribers, it is the number one most subscribed sponsor channel of all time. It hosts 207 videos of diverse football highlights involving Nike. Or look at a new channel like the MINI channel which already has 41 videos after only having been created on the 1st January 2009.

In Australia, other than the political parties and bloggers, not many YouTube channels have been set up. Probably the best are Cricket Australia, XXXX, and Tooheys. Comparing just the two beer brands, it is easy to notice that Tooheys uses the channel just for re-publishing TVCs, while XXXX uses it to create brand engagement – a difference that is also reflected in the number of videos, subscribers, channel views, and friends.

Why are they spending money on social video?

Video has huge advantages over other content. Videos are able to provide a direct and rememberable explanation of what a brand stands for – much more so than text or pictures. Video is therefore twice as effective for conversion actions than text only. An Australian study showed that 57% of online users have watched online videos before making a purchase decision.

But not only does video help in the actual act of selling. Video also has an advantage when it comes to exposure to eyeballs on the Web. In Google universal search, video is 50 times more likely than other Web content to turn up on the first search result page. Yes, you read correctly: 50 times more likely – just think about all the SEO that you’d have to do with other content to have such an effect. On top of that, users are more likely to click on the video thumbnails on the Google result page than on any other results – the thumbnails are strong in directing eyeballs.

Now that we’ve seen the upsides of video, you will ask yourself what the kind of content may be that you should publish about your brand. What would be the purpose of publishing video to social networks? Video is a communication channel like any other. You can use it for any brand strategy that you may be preparing. You might consider creating videos to launch a new brand, to diversify an existing brand, to educate about products, or to start a conversation with your customers.

Here are some examples of what companies have used their YouTube channels for:

• Nikon Australia use theirs to provide tutorials and product demonstrations
• Qantas provides facts about the company and their TVCs
• Doritos Australia use it to run an ad competition
• AXE provide funny content
• Sun Microsystems publishes a vlog that includes interviews of executives

My recommendation is not just to upload the videos to YouTube, but also to pick some other social networks that focus more on your actual target audience, e.g. Dailymotion for a European focus or Break.com for a young males focus. Also make sure to consider your release strategy and video SEO to reach a maximum number of eyeballs for your content. And finally: don’t forget to measure your success over and over again – with metrics tools like Vquence’s VQmetrics service you can learn which content and strategy works for your audience and which doesn’t. It is such attention to numbers that Natalie Tran who publishes Australia’s most subscribed YouTube channel reckons has helped her make it such a success.

In my long years of working with video I have been encouraging everybody who publishes video to also provide textual representations of video, which includes subtitles/captions, but also includes metadata and hyperlinks that will enable video to become part of the content networks of the Web.

The key advantage for me is not accessibility, but it is to increase the value of the content. Content that knows more about itself and can expose that to machines is inherently more valuable than content that is just a dark collection of bits.

Added Value 1: automated translation

Once a time-aligned transcript such as a caption file is available, the video can expose this to a translation engine and provide itself in any language. This capability is now available for some videos on YouTube, e.g. the following winning Eurovision song of this year:

You have to click on the triangle icon on the video player bottom right while the video is playing, and then follow the red “CC” menu to go to “Translate” and turn on subtitles in a chosen language.

Even if Google’s automated translations are not 100% accurate, they still make the content accessible to a much larger audience than if they were not available. And all of this basically “for free” through the automated translation engine.

Added Value 2: increased user attention

Interestingly, recent research has shown that captions and subtitles don’t only make content more accessible to the hard-of-hearing, but also to well-hearing people. Where a video file has captions, 80 percent more people watch the entire video to its completion.

Achieving complete views is one of the most difficult challenges video publishers face, since people loose interest and attention fairly easily in our modern world of media over-stimulation. So, anything that can help people focus their attention longer is great news.

Just imagine the increase this can bring e.g. to the value of post-roll ads and to closing titles that contain the brands that sponsored the creation of the video.

Added Value 3: video SEO

Typically for a video the only text that is available and indexed by search engines are “title”, “description”, “tags”, and “categories”. These are fairly limited when you consider all the action and information that is inherent in a video.

Once a time-aligned transcript such as a caption file is available for a video, search engines are able to index that text together with the minimalist other text related to a video, thus making the video a whole lot more discoverable.

It is a shame that YouTube’s caption files are not yet indexed by Google, but do not fear: Google already has the technology and is using it on the Google video site:

We can only expect that it will be available on YouTube soon, so if you want to give your videos a huge SEO boost, think about uploading a caption file.

Further applications will certainly emerge to make better use of the annotated video content, such as automated summarisation, search that points us directly to offsets (see media fragment URIs), and automatically created mashups based on keywords.

If you want to do the captioning yourself, there are now some nice tools that work with YouTube. In Australia we also have captioning services that can do it for you, such as the Australian Captioning Centre and caption.it. Also check out Media Access Australia who have a large collection of resources and information about captioning in Australia.

On the list of top viewed YouTube videos of all time, Boyle’s top video is on position 22, Potts at 28, and Talbot at 35 (as of 13th May). These are the only show videos up in such heights – most other videos here are either music videos or legendary virals such as “The Evolution of Dance“, “Charlie bit my finger“, or the laughing Baby “Hahaha“.

Considering Paul Potts and Connie Talbot are a 2 year old success, it is quite amazing how many views they have attracted consistently, and more so recently, in the wake of Boyle: almost a fifth on Potts and Talbot views were in the last month. For comparison, see the following chart:

Approx development of views on Potts, Talbot and Boyle videos

All three videos have achieved around 50M views. Obviously, BGT is a huge success in social video and has enabled the show to become a world-wide story rather than limited to British borders. But has ITV been able to monetize on the success online?

In 2007, content owners hadn’t really come to grips yet with the value that YouTube presents. Thus, neither the Paul Potts video nor the Connie Talbot video are actually published by ITV. More importantly though, in 2007, YouTube was only starting to develop means to enable content publishers to share in ad revenue on their high performing content. YouTube actually had nothing to offer for these content owners. Nobody can blame ITV for not monetising the YouTube success in 2007.

Seeing all these successes, one would expect that ITV had made arrangements for revenue sharing with YouTube and possibly other sites well before this year’s show in preparation for a potential social video hit. Looking at YouTube, where the overwhelming majority of the success has been focused, it seems, however, that they missed the boat. According to The Times UK, the management at ITV insisted that they wanted special terms from Google for the Susan Boyle video because they saw the videos taking off.

Instead of opting for the YouTube tried-and-tested advertising methods, ITV went into discussions with them and wanted special pre-roll ad options, which YouTube wasn’t able or willing to offer. However, they achieved some special treatment after all, since it is not possible to embed any of the non-offical copies out of YouTube.

While ITV set up their own YouTube channel and show to publish official copies of the top BGT performances online, they could only watch as the user uploaded videos took off. Kudos have to go to ITV for acting generously and not taking down the copies – at least they can now get official numbers on the complete views on their content.

On 24th April, ITV finally published their own BGT channel and show on YouTube. This contains the official “Susan Boyle” video – almost two weeks after her TV appearance.

How will ITV now monetise the videos?

YouTube offers a revenue share model to publishers of high-performing content through a partnership program. This enables advertisers to place the following kinds of adverts next to the partner content:

• InVideo ads: These are little overlays that start at 10s into the video occupying the bottom 20% of the video player and containing Google ads. If a user clicks on it, the video is paused and a new tab opens with the clicked-through link.
• Companion ads: These are a 300x250px banner ads that appear on the watch page of a video of a partner in the prime position next to the video.

These ads can be targeted on user demographics, location, time-of-day and content genre. The content owners receive a 50% share on the CPM charged for these ads.

The ads can be placed on all copies of a piece of content, no matter whether it is published through the official channel of the content owner or through consumer copies. This is just as well for ITV, since the official video of Susan Boyle’s performance is only the 10th best performing Susan Boyle video on YouTube when ordered by view count (on 13th May). For relevance ordered queries, the official video ended up on top for a while, but is now down to position 7 – obviously YouTube’s ranking is based on freshness of a post as well as views.

Assuming the £20 CPM value that is quoted in The Times Online, the top performing video on YouTube alone could have made £1M in advertising revenue, half of which would have gone to ITV – certainly a number that hurts.

Indeed, this number should hurt YouTube as much as ITV, since YouTube only makes money from highly performing videos if the publisher becomes a partner and makes money, too. It should have been in YouTube’s interest to allow advertisements next to the prime performing content as quickly as possible. Maybe this shows a need for an additional revenue model for content owners that is not dependent on them setting up a channel or show with YouTube. YouTube should take this as an opportunity!

In the meantime, ITV is indeed making money on YouTube. Their own videos have seen an amazing number of views in the past weeks and the show keeps coming up with amazing talent. For Hollie Steel, the ITV channel indeed provides the video with the highest view count. More than 30M views have come to BGT content since the 24th April and all of this content bears advertising. This means the ITV channel should now have created approx £600K of ad income – a substantial number indeed.

YouTube is a large international site. Uploaded videos don’t easily rise above the general noise of the site.

If you are prepared to spend some money, there are ways in which videos can be lifted above the noise within YouTube. Particularly good candidates are the YouTube front page and search results pages, where a video will be exposed to many eyes and get a much better chance of being picked up and shared with friends, aka “going viral”.

YouTube Australia offers three different types of advertising on the front page: a masthead, an expandable video unit, and a video ad, each of which can be booked for a 24 hour period. The YouTube front page is localised, so your ads can be exposed to an Australian audience.

If you would like to target your audience further, you may want to consider advertising on search results pages. You can target age group, gender and interest areas of the searchers, thus reaching more valuable eyeballs.

An example of a campaign that has successfully used such an approach is posted on a recent AdAge article: advertsing pushed Geico’s “Numa Numa” video over 500K veiws on the first day, reaching more than 1.3M overall views by now.

There is a myth out there that a social video marketing campaign on YouTube – or more generally on social networks – can be done for free without spending any money on placement. The myth continues that merely publishing good content will automatically make it go viral. This simply is not true. Just because you don’t pay for the original placement, doesn’t mean your campaign can do without media buy expenditure.

There are strategies for exposing videos to more eyeballs – cheaper and more expensive ones. Advertising your social videos is one way – paying experts to execute a seeding strategy is another.

A new social video ad was uploaded on 25th March by Mini. It is about a couple of guys sitting in a car on the German Autobahn and watching two Minis do some crazy moves. At some point the moves become suspiciously unreal and the guys start commenting that they obviously got drawn into a viral video ad. The end consists of typical TV ad titles and the Mini logo.

This video absolutely hits a nerve. The stats that we have collected over the last 3 days are just amazing:

It hit 30,000 views within 3 days and continues to grow. By today it has taken 9 honours on YouTube.

What is it’s secret? Maybe it’s the honesty of the ad. It starts out like a dark viral, but at the minute that it is obviously not real any more, the comments make it funny and the effects are quite cool. There is no shame in confirming it as an ad in the end.

Anyone looking for your brand or product on YouTube should find your channel and your videos over everybody else’s. If that is not the case, you better go and fix it! Create a channel and upload some of your corporate videos, even if they are just copies of your TVCs.

This situation reminds me of the beginning of the Web, when not everybody had a Web page. YouTube is a repetition of that, just for videos only.

Your channel page is an additional piece of real estate through which you can communicate your message and which you can monetise. In addition, regard the YouTube channel as an advertising space for your other Web estates – in particular if you are a video content publisher.

For example, if people are looking for videos on the recent Victorian Bushfires, they would go to YouTube, where they find mostly poor quality user generated content. So, even if you have the best videos on the world about the Victorian Bushfires, people won’t find them unless you make them aware of your content on YouTube und thus direct them to your Web estates.

Another important fact to note in this context is that videos – in particular YouTube videos – are 50 times more likely to appear on the first page of Google search results than any other Web content. This is another argument to support using YouTube videos as a means of SEO for your other content.

For monitoring what is being said about a certain topic, brand, or even video, Twitter provides since recently a search interface. The default search return tweets from “just now”. However, Twitter search has an awesome set of very intuitive operators that can be used with the search keywords. There are useful things such as putting a smiley or behind a query to indicate you want a tweet with a positive/negative attitude, or adding a since:{date} and/or until:{date} to indicate the time frame within which you wanted the tweets. I wished all of these operators were available for Google searches, too!

The only thing that is annoying about the Twitter search is that it doesn’t resolve the tinyurls that people’s long urls get turned into. Thus, it is impossible to search for links to, e.g. specific videos on YouTube. I think Twitter should implement that improvement and put both, the tinyurl link as well as the resolved url into their index for each post.

Here are some key examples:

1. In September 2008, Pantene Thailand created a 4 min long and very touching film about a deaf girl that wants to learn to play the violin. There is no mention of Pantene other than at the end with “You can shine” as the message. The video comes across rather like a sponsored short film and is a pleasure to watch. It has attracted across its rougly a dozen copies on YouTube about 500K views.

2. In January 2009, Gatorade launched “The Quest for G” – a series of short videos that follow a warrior on a quest playing on a lot of topics including Monty Python and the Jabbawockeez. The full 7:34 min long series can be viewed below, but the most views are actually on the videos published by Gatorade on their whatsg channel: this video alone has more than 1.2M views.

3. Something very different comes out of Canada. The Purchase Brothers created a short film called “Escape from City 17″ about the Half Life computer game. It is 5:30 min long and has almost 2M viewers. While this was not a marketing campaign, Valve could have asked for no better publicity than this video created by independent filmmakers.

It seems that the old short-form requirement for video ads to go viral is no longer. We may enter a new era with an increasing amount of engaging, story-telling long-form ads. Or something still funny like this eBay/Backstreet Boy parody by Weird Al Yankovic.

David Hallerman from eMarketer reckons that “the sharp escalation of professional video content on the Web—mainly from TV networks—is creating a viable base for brand marketers”.

Add to this the standardisation efforts of the IAB for in-stream and companion ad formats for video and you can foresee a lucrative new advertising market emerge around online video.